Blacker's art of fly making, &c. — Key Ideas to Explore
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The source record for Blacker's art of fly making, &c. — Key Ideas to Explore measures this digital text at 59,134 words, 4 hr 18 min estimated reading time, and 7 detected text sections.
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Produced by Chris Curnow, Emmy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
ENTERED AT STATIONERS' HALL.
LONDON: PRINTED BY GEO. NICHOLS, EARL'S COURT, LEICESTER SQUARE.
PATRONISED BY H.R.H. PRINCE ALBERT.
BLACKER'S, ART OF FLY MAKING, &c.,
COMPRISING ANGLING, & DYEING OF COLOURS,
WITH ENGRAVINGS OF SALMON & TROUT FLIES SHEWING THE PROCESS OF THE GENTLE CRAFT AS TAUGHT IN THE PAGES.
WITH DESCRIPTIONS OF FLIES FOR THE SEASON OF THE YEAR AS THEY COME OUT ON THE WATER.
REWRITTEN & REVISED BY THE AUTHOR BLACKER, HIMSELF, FISHING TACKLE MAKER OF 54, DEAN ST, SOHO, LONDON.
Page. Preface v The Art of Fly Making 1 An Easy Method to make the Trout Fly 3 An Easy Method of making a Plain Salmon Fly 8 To make the Trout Fly, in the best and most approved method 13 To make the Palmer, or Double-Hackle Fly 20 How to make the Salmon Fly, as shown in the Beautiful Plate of Engravings on Salmon Hooks 23 Process of making the Gaudy Salmon Fly 30 To make the Winged Larva 42 A Catechism of Fly-Making 46 The Trout Flies for the Season 55 Flies for March 57 Flies for April 60 Flies for May 64 Flies for June 69 Flies for July 72 Flies for August 76 Fishing Rods and Fly Fishing 80 Fly Fishing for Salmon 88 An Account of the Salmon, and its Varieties 96 The Salmon Fry 100 A Description of the Fifteen Salmon Flies Engraved in the Plates 104 Spring Flies 117 Salmon Rivers 120 The River Tweed 121 The River Shannon 123 The Lakes of Clare 124 The Lakes of Killarney 126 Lough Curran, Waterville 133 Connamara and Ballynahinch 138 Ballyna 142 Ballyshannon 145 The Rivers Bush and Bann 149 The River Bann 156 Lakes of Westmeath 163 The River Lee, at Cork 169 Salmon Rivers in Scotland 170 The River Tay 171 The Dee and Don 176 The River Spey 177 The Findhorn 179 Rivers and Lakes adjacent to Fort William, on the Caledonian Canal 180 Salmon Flies for Fort William, &c. 186 Salmon Flies for the Ness 187 The River Shin 189 The River Thurso 191 The River Esk 194 Loch Leven 195 The River Allan 196 Loch Awe and River 200 The Rivers Irvine, Girvan, and Stincher, in Ayrshire 203 Rivers of Wales.--The Conway 205 The River Dovey 205 The River Tivey 206 The Wye, Monmouth 207 The River Severn 208 The Trent 209 Rivers of York and Derby 210 The Hodder 211 Rivers of Derby 211 The Rivers Wandle and Coln 212 Bait Fishing.--The River Thames 216 Perch 218 Barbel 219 Pike 221 Roach 224 Dace 226 Carp 226 Chub 227 Gudgeons and Minnows 228 Baits 229 The Art of Dyeing Fishing Colours 232 To Dye Yellow 234 To Dye Brown 236 To Dye a Yellow-Brown 237 To Dye Blue 238 To Dye Red 239 To Dye Orange 240 To Dye Purple or Violet 241 To Dye Crimson 241 To Dye Scarlet. 242 Crimson Red in Grain 243 To Dye Green Drake Feathers and Fur 243 To Dye Claret 244 Another way to Dye Claret 245 To Dye Black 246 To Dye Greens of various Shades 246 To Dye Lavender or Slate Dun, &c. 247 Blues 248 A Silver Grey 248 A Coffee or Chesnut 249 To Dye Olives and a Mixture of Colours 249 A Concise way of Dyeing Colours 250 The Materials necessary for Artificial Fly Making 256
I know not how to apologise for submitting a Second Edition of this little Book to the notice of the Angling few, after the appearance of so many by clever writers, except the many calls I had for it, and a sincere desire of improving farther upon a craft that has not hitherto been clearly promulgated by a real practitioner; consequently my great object is to benefit and amuse my readers, by giving them something practical, which at the present time may be particularly wanted by those who love to make their own flies, whose wants, without doubt, will be found sufficiently supplied in this book; the tyro will appreciate it as valuable to him, and the senior angler who may, perchance, be in possession of it, and who may be singularly fond of making his flies, and amusing himself dyeing the hackles and colours, &c., will, I am persuaded, consider it a treasure.
My endeavours have been unceasing for many years past, in striving to please the great Salmon Fishers and Trout Fishers of this Country, and I must confess that my labours have not been in vain; they have generously conferred upon me their very kind patronage and good will, benefits for which I hold them in very great estimation. Under these circumstances, I have taken much pains to write the book in a befitting manner to suit their tastes and purposes, although my inability in many instances has been an obstacle, nevertheless with all my faults I claim the title of Fisherman, an humble and unimportuned name which no reasonable dispensation can deprive me of.
William Blacker's 1855 manual opens with a declaration of authority: he is a fishing tackle maker of 54, Dean St, Soho, London, and the work is 'patronised by H.R.H. Prince Albert.' The title page promises 'engravings of salmon & trout flies shewing the process of the gentle craft as taught in the pages.' Blacker's voice is direct and practical, but it also carries a personal urgency—he writes of visiting Killarney in 1848 'to recruit my fallen spirits' after years of labour. This blend of technical instruction and personal anecdote marks the text throughout.
A Catechism of Craft
Blacker includes a 'Catechism of Fly-Making'—a question-and-answer section that drills the reader on materials and methods. The format is unusual for a fishing manual, suggesting an instructional approach that treats fly-tying as a systematic art. The questions are precise: 'How do you make the Trout Fly, in the best and most approved method?' The answers are step-by-step, often referencing the engraved plates. This section reveals Blacker's assumption that the reader is a novice who needs both theory and repetition. The catechism form also echoes educational or religious texts, implying that fly-making is a discipline to be learned by rote.
Dyeing as a Science
The 'Art of Dyeing Fishing Colours' occupies a substantial portion of the book, with recipes for yellow, brown, blue, red, orange, purple, crimson, scarlet, green drake, and claret. Blacker gives precise instructions: 'To Dye Yellow' likely involves specific mordants and dye-stuffs. The language is technical—'crimson red in grain'—and assumes access to chemical agents. This section elevates fly-making from mere tying to a chemical craft. Blacker does not simply list colours; he explains processes, showing that the angler must control colour fastness and shade. The inclusion of dyeing suggests that the book's intended audience includes serious hobbyists or professionals who produce their own materials.
River by River, Cast by Cast
Blacker devotes dozens of pages to describing salmon rivers in Ireland, Scotland, and England. His approach is geographical and practical: he names towns, distances, and specific fishing spots. For the Shannon, he notes 'capital casts for Salmon up to Killaloe' and warns of 'cruives,' 'stake nets,' and 'bag nets' that slaughter salmon. His tone shifts to advocacy: 'Oh! look to it, you that have the power.' For the Lakes of Clare, he recommends flies 'two or three sizes larger' and notes that the 'yarn fly' is not used there. These passages are part travelogue, part fishing report, and part conservation plea. Blacker's knowledge is local and specific, not generic.
The Angler's Advocate
Throughout the river descriptions, Blacker interjects personal observations and opinions. He praises Mr. Foley of Lismore, who 'is most polite to strangers, and allows them to fish in the weirs.' He criticizes destructive fishing practices and urges reform. His voice is that of a practitioner who has fished these waters and knows the landowners. The text is not a dry reference; it is a guide written by someone with a stake in the sport. Blacker's asides—'it is myself that would advise the sickly to go there'—give the manual a conversational, even emotional, quality. This personal dimension distinguishes the book from purely technical treatises.
Blacker's manual rewards readers who attend to its details: the specific fly patterns for each month, the dye recipes, the river-by-river advice. The author's voice—sometimes technical, sometimes indignant, sometimes warmly hospitable—gives the book a character beyond its instructional purpose. For those interested in the history of angling or the craft of fly-tying, this edition offers a direct connection to a mid-19th-century practitioner's knowledge and perspective.
There’s something in Blacker’s patient, hands-on devotion that stayed with me long after I put it down—how a craft can hold both quiet pride and deep memory. That same gentle persistence whispers through The Churches of Coventry: A Short History of the City & Its Medieval Remains — Context and Discussion. Each stone, like each feather, carries a story told by someone who truly cared. I think of it often.
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