Memoirs of Madame la Marquise de Montespan — Volume 6 — A Closer Reading
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The Court Travels in Picardy and Flanders.--The Boudoir Navy.--Madame de Montespan Is Not Invited.--The King Relates to Her the Delights of the Journey.--Reflections of the Marquise.
The King, consoled as he was for the death of the Duchesse de Fontanges, did not, on that account, return to that sweet and agreeable intimacy which had united us for the space of eleven or twelve years. He approached me as one comes to see a person of one's acquaintance, and it was more than obvious that his only bond with me was his children.
Being a man who loved pomp and show, he resolved upon a journey in Flanders,--a journey destined to furnish him, as well as his Court, with numerous and agreeable distractions, and to give fresh alarm to his neighbours.
Those "Chambers of Reunion," as they were called, established at Metz and at Brisach, competed with each other in despoiling roundly a host of great proprietors, under the pretext that their possessions had formerly belonged to Alsace, and that this Alsace had been ceded to us by the last treaties. The Prince Palatine of the Rhine saw himself stripped, on this occasion, of the greater part of the land which he had inherited from his ancestors, and when he would present a memoir on this subject to the ministers, M. de Croissy-Colbert answered politely that he was in despair at being unable to decide the matter himself; but that the Chambers of Metz and Brisach having been instituted to take cognisance of it, it was before these solemn tribunals that he must proceed.
The Palatine lost, amongst other things, the entire county of Veldentz, which was joined to the church of the Chapter of Verdun.
The King, followed by the Queen and all his Court,--by Monsieur le Dauphin, Madame la Dauphine and the legitimate princes, whom their households accompanied as well,--set out for Flanders in the month of July. Madame de Maintenon, as lady in waiting, went on this journey; and of me, superintendent of the Queen's Council, they did not even speak.
The first town at which this considerable Court stopped was at Boulogne, in Picardy, the fortifications of which were being repaired. On the next day the King went on horseback to visit the port of Ambleteuse; thence he set out for Calais, following the line of the coast, while the ladies took the same course more rapidly. He inspected the harbours and diverted himself by taking a sail in a wherry. He then betook himself to Dunkirk, where the Marquis de Seignelay--son of Colbert--had made ready a very fine man-of-war with which to regale their Majesties. The Chevalier de Ury, who commanded her, showed them all the handling of it, which was for those ladies, and for the Court, a spectacle as pleasant as it was novel. The whole crew was very smart, and the vessel magnificently equipped. There was a sham fight, and then the vessel was boarded. The King took as much pleasure in this sight as if Fontanges had been the heroine of the fete, and our ladies, to please him, made their hands sore in applauding. This naval fight terminated in a great feast, which left nothing to be desired in the matter of sumptuousness and delicacy.
On the following day, there was a more formal fight between two frigates, which had also been prepared for this amusement.
The King was in a galley as spectator; the Queen was in another. The Chevalier de Lery took the helm of that of the King; the Capitaine de Selingue steered that of the Queen. The sea was calm, and there was just enough wind to set the two frigates in motion. They cannonaded one another briskly for an hour, getting the weather gauge in turn; after this, the combat came to an end, and they returned to the town to the sound of instruments and the noise of cannon.
The King gave large bounties to the crew, as a token of his satisfaction.
The prince was on board his first vessel, when the Earl of Oxford, and the Colonel, afterwards the Duke of Marlborough, despatched by the King of England, came to pay him a visit of compliment on behalf of that sovereign.
The Duke of Villa-Hermosa, Spanish Governor of the Low Countries, paid him the same compliment in the name of his master.
Both parties were given audience on this magnificent vessel, where M. de Seignelay had raised a sort of throne of immense height.
(All this time Mademoiselle de Fontanges lay in her coffin, recovering from her confinement.)
The volume opens with the King's journey to Flanders in July, a trip from which Madame de Montespan is pointedly excluded despite her former intimacy with Louis XIV. She notes that his only bond with her now is their children, and that Madame de Maintenon accompanies the Queen as lady-in-waiting. The narrative immediately establishes a tone of wounded pride and keen observation, as the author describes the King's love of pomp and the political machinations behind the 'Chambers of Reunion' that despoiled German princes.
Throughout the excerpts, the memoirist alternates between personal grievance and sharp commentary on court life, offering a unique perspective from a former favorite now on the margins.
Exclusion and the King's New Favor
The opening chapter establishes a central tension: the King, consoled for the death of the Duchesse de Fontanges, does not return to his former intimacy with Madame de Montespan. She is not invited on the Flanders journey, while Madame de Maintenon goes as lady-in-waiting. The author's phrasing—'of me, superintendent of the Queen's Council, they did not even speak'—reveals her sense of slight. She describes the King's bond with her as reduced to their children, a cold acknowledgment of her diminished status.
Later, she recounts the King's fall from his horse during the Queen's obsequies, a detail that underscores the court's lack of decorum. The Dauphin's behavior—attending a fair to see a 'wise horse' and seeking amusement—is condemned as scandalous. The memoirist's voice is consistently critical, blending personal hurt with moral outrage at the court's frivolity.
The Queen's Funeral and Court Hypocrisy
The account of the Queen's lying-in-state and funeral is marked by biting observations. The body-guards shoot at birds during the procession, and the Dauphin seeks distraction at the Palais Royal, engaging in 'merry conversations' unbecoming a son in mourning. The memoirist notes that even 'simple bourgeois' would show more decorum.
She also relates a sinister dream of Madame d'Orleans, who foresaw the King's broken arm. This anecdote serves to highlight the court's superstition and the author's own skepticism—she dismisses dreams as 'vague and...' (the text cuts off). The section demonstrates her skill in weaving personal commentary with reported events, creating a layered critique of courtly hypocrisy.
Scandal and the Prince de Conti
A later chapter recounts an adventure involving M. le Prince de Conti, who, to recover a stolen watch, has his servingmen strip M. de la Feuillade in public. The captain of the watch is injured, and the episode 'did not improve the credit of M. le Prince de Conti, much as it needed improvement.' The author notes that his wife 'excused him in everything, ignoring, and wishing to ignore, the extent of his guilt and frivolity.'
This passage exemplifies the memoir's focus on scandal and moral judgment. The author presents herself as a clear-eyed observer of the court's vices, contrasting the Prince's behavior with the ideal of honor. The phrase 'wishing to ignore' suggests a willful blindness that the memoirist herself does not share.
The Author's Voice and Perspective
Throughout the excerpts, Madame de Montespan's voice is distinctive: proud, wounded, and morally censorious. She refers to herself in the third person as 'superintendent of the Queen's Council,' emphasizing her official role even as she is sidelined. Her reflections on the King's changed affections are tinged with bitterness, but she avoids self-pity, instead using her position to critique the court.
The memoir is structured as a series of episodes, each illustrating a facet of court life. The author's judgments are explicit: the Dauphin's behavior is 'ridiculous and indefensible,' the courtiers' laughter at the funeral is 'barbarity.' This directness gives the narrative a personal urgency, as if the author is settling scores or setting the record straight. Readers should attend to these evaluative moments, as they reveal the memoir's purpose beyond mere chronicle.
These excerpts offer a fragmented but vivid portrait of Louis XIV's court from a uniquely disenchanted perspective. Readers should note how the author's personal grievances shape her selection and presentation of events, and how she uses small details—a dream, a stolen watch, a horse's stumble—to expose larger failures of character. The incomplete nature of the text invites speculation about what is omitted, but the surviving passages are rich with the voice of a woman who was once at the center of power and now writes from its edges.
I have spent many evenings with Madame de Montespan’s sharp-edged memories, her observations on fading favor and the hollow grandeur of Versailles. Yet her restless spirit always brings me back to Chantilly in History and Art — A Closer Reading, where the gardens hold their silence so differently—not as courtship’s mask, but as a patient, enduring architecture that outlasts every royal whim.
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