Memoirs of Madame la Marquise de Montespan — Volume 4 — Themes and Context

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Montespan, Madame de, 1641-1707 Project Gutenberg 2004 Not confirmed
France -- Court and courtiers; Louis XIV, King of France, 1638-1715; Montespan, Françoise-Athénaïs de Rochechouart de Mortemart, marquise de, 1641-1707 Readers of public-domain and historical texts
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Words 21,179
Reading time 93 min
Text sections 2

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In Volume 4 of her memoirs, Madame de Montespan recounts two distinct episodes: the scandalous tale of President de Nesmond's young wife and a monk's dramatic confession to Louis XIV. The narrative contrasts legal propriety with personal betrayal, and royal power with penitent vulnerability.
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President de Nesmond.--Melladoro.--A Complacent Husband and His Love-sick Wife.--Tragic Sequel.

President de Nesmond--upright, clear-headed magistrate as he was--was of very great service to me at the Courts of Justice. He always managed to oblige me and look after my interests and my rights in any legal dispute of mine, or when I had reason to fear annoyance on the part of my husband.

I will here relate the grief that his young wife caused him, and it will be seen that, by the side of this poor President, M. de Montespan might count himself lucky. Having long been a widower, he was in some measure accustomed to this state, until love laid a snare for him just at the age of sixty-five.

In the garden that lay below his windows--a garden owned by his neighbour, a farmer--he saw Clorinde. She was this yeoman's only daughter. He at once fell passionately in love with her, as David once loved Bathsheba.

The President married Clorinde, who was very pleased to have a fine name and a title. But her husband soon saw--if not with surprise, at least with pain--that his wife did not love him. A young and handsome Spaniard, belonging to the Spanish Legation, danced one day with Clorinde; to her he seemed as radiant as the god of melody and song. She lost her heart, and without further delay confessed to him this loss.

On returning home, the President said to his youthful consort, "Madame, every one is noticing and censuring your imprudent conduct; even the young Spaniard himself finds it compromising."

"Nothing you say can please me more," she replied, "for this proves that he is aware of my love. As he knows this, and finds my looks to his liking, I hope that he will wish to see me again."

Soon afterwards there was a grand ball given at the Spanish Embassy. Madame de Nesmond managed to secure an invitation, and went with one of her cousins. The young Spaniard did the honours of the evening, and showed them every attention.

As the President was obliged to attend an all-night sitting at the Tourelle,--[The parliamentary criminal court.]--and as these young ladies did not like going home alone,--for their residence was some way off,--the young Spaniard had the privilege of conducting them to their coach and of driving back with them. After cards and a little music, they had supper about daybreak; and when the President returned, at five o'clock, he saw Melladoro, to whom he was formally introduced by madame.

The President's welcome was a blend of surprise, anger, forced condescension, and diplomatic politeness. All these shades of feeling were easily perceived by the Spaniard, who showed not a trace of astonishment. This was because Clorinde's absolute sway over her husband was as patent as the fact that, in his own house, the President was powerless to do as he liked.

Melladoro, who was only twenty years old, thought he had made a charming conquest. He asked to be allowed to present his respects occasionally, when Clorinde promptly invited him to do so, in her husband's name as well as in her own.

It was now morning, and he took leave of the ladies. Two days after this he reappeared; then he came five or six times a week, until at last it was settled that a place should be laid for him every day at the President's table.

That year it was M. de Nesmond's turn to preside at the courts during vacation-time. He pleaded urgent motives of health, which made it imperative for him to have country air and complete rest. Another judge consented to forego his vacation and take his place on the bench for four months; so M. de Nesmond was able to leave Paris.

When the time came to set out by coach, madame went off into violent hysterics; but the magistrate, backed up by his father-in-law, showed firmness, and they set out for the Chateau de Nesmond, about thirty leagues from Paris.

M. de Nesmond found the country far from enjoyable. His wife, who always sat by herself in her dressing-gown and seldom consented to see a soul, on more than one occasion left her guests at table in order to sulk and mope in her closet.

She fell ill. During her periods of suffering and depression, she continually mentioned the Spaniard's name. Failing his person, she desired to have his portrait. Alarmed at his wife's condition, the President agreed to write a letter himself to the author of all this trouble, who soon sent the lady a handsome sweetmeat-box ornamented with his crest and his portrait.

Volume 4 of Madame de Montespan's memoirs opens with a pointed contrast between legal order and domestic disorder. The author introduces President de Nesmond as an "upright, clear-headed magistrate" who served her well in court, yet his personal life unravels when he marries the young Clorinde. The President's authority in the judiciary finds no parallel in his household, where his wife's infatuation with a Spanish diplomat, Melladoro, becomes public. Montespan frames this as a cautionary tale, noting that beside de Nesmond's plight, her own husband "might count himself lucky."

A Magistrate's Domestic Reversal

The narrative of President de Nesmond hinges on a reversal of expected roles. At sixty-five, the widower falls "passionately in love" with a farmer's daughter, Clorinde, likening his desire to King David's for Bathsheba. Yet after marriage, the power shifts: Clorinde, pleased with her new title, does not love him. When she meets the young Spaniard Melladoro, she confesses her loss of heart "without further delay." The President's attempts to reason with her are met with defiance; she interprets his criticism as proof that Melladoro is aware of her feelings. Montespan emphasizes the President's helplessness: his welcome of Melladoro at dawn is a blend of "surprise, anger, forced condescension, and diplomatic politeness," but Clorinde's "absolute sway" is unmistakable. The episode illustrates how legal acumen offers no defense against personal humiliation.

Royal Pardon and a Monk's Confession

The second excerpt shifts from the domestic to the political. During a visit to a Carthusian convent, King Louis XIV examines the cloister's architecture, praising the "marvellous art of Lesueur" for preserving the building. The prior delivers a flattering address, calling the King "the august protector of this convent." But the scene is disrupted by a monk who throws himself at the King's feet, begging forgiveness. The monk confesses to writing pamphlets that questioned the King's legitimacy and to a plot to assassinate him during the Fronde. He claims he was ordered to "stab you to the heart" if he could not bring the young Louis back to Paris. The King's response is described as "somewhat ambiguous," leaving the penitent's fate uncertain. This confession reveals the lingering threats of the civil war era and the King's role as both judge and object of conspiracy.

Contrasts in Authority and Vulnerability

Across these two episodes, Montespan juxtaposes different forms of power and weakness. President de Nesmond, a figure of legal authority, is rendered powerless in his own home by a wife who openly flouts convention. The King, by contrast, holds supreme political power, yet the monk's confession reminds readers that his life was once in danger from those close to the throne. The prior's ceremonial language—"descendant of Saint Louis"—contrasts with the monk's raw plea: "Sire, forgive me, guilty though I be." Montespan does not moralize explicitly, but the structure invites comparison: the magistrate cannot control his household, while the monarch must confront past treachery. Both episodes test the limits of authority against personal and political betrayal.

Readers attentive to Montespan's narrative craft will note how she uses embedded stories to reflect on her own position at court. The President's predicament mirrors her own marital conflicts, while the monk's confession echoes the conspiracies that shaped Louis XIV's reign. These episodes reward close attention to the interplay of public roles and private vulnerabilities.

That second story in the Montespan memoir—the monk kneeling before the King—stayed with me longer than I expected. It made me think of how power softens when someone confesses, and I remembered another quiet collection, Little Journeys to the Homes of the Great - Volume 01 Little Journeys to the Homes of Good Men and Great — Reading Companion, where goodness feels just as intimate. A strange pairing, I know, but both left me sitting still afterwards.

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